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In the manuscript these piece by Schneider are called just 'Praeludium', but since the fugue-part of the pieces is very prominent, I decided to include it in the title. The Präludium in G major is the second one. In its fugue Schneider proves he knew his counterpoint. The subject of the fugue serves as countersubject of the fugue as well. Each entrace of the subject occurs halfway the previous entrance.
The recording was done with the Hauptwerk software and the sampleset, made by Voxus, of the Müller organ in the Sint Bavokerk, Haarlem (http://www.voxusorgans.com/en/product/haarlem).
An edition of Schneider's complete organ works is available here: http://partitura.org/index.php/johann-schneider-organ-works-mus-ms-30377/