by Auke Jongbloed

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Georg Philipp Telemann, Nun komm der Heiden Heiland, TWV 31:49 Telemann's writes some very strict counterpoint in this piece, resulting in some harsh dissonants. The stretto starting in bar 18 starts each entry of the subject one step higher on the scale. The result is three bars full of major and minor seconds and sevenths. It is almost a miracle the music doesn't fall to pieces. The recording was done with the Hauptwerk software and the sample set of the Silbermann organ of the Stadtkirche Zöblitz by Prospectum (http://www.prospectum.com/index.php?language=english&id1=2&id2=8). Free score available here: http://partitura.org/index.php/georg-philipp-telemann-nun-komm-der-heiden-heiland/

Georg Philipp Telemann, Nun komm der Heiden Heiland, TWV 31:49 by Auke Jongbloed
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Telemann's writes some very strict counterpoint in this piece, resulting in some harsh dissonants. The stretto starting in bar 18 starts each entry of the subject one step higher on the scale. The result is three bars full of major and minor seconds and sevenths. It is almost a miracle the music doesn't fall to pieces. The recording was done with the Hauptwerk software and the sample set of the Silbermann organ of the Stadtkirche Zöblitz by Prospectum (http://www.prospectum.com/index.php?language=english&id1=2&id2=8). Free score available here: http://partitura.org/index.php/georg-philipp-telemann-nun-komm-der-heiden-heiland/
- Auke Jongbloed
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Content Reviewer  4 years ago
 
Content Reviewer tipped 10 coins on "Georg Philipp Telemann, Nun komm der Heiden Heiland, TWV 31:49"
UBIBot  4 years ago
 
UBI$MUSIC tipped 100 coins on "Georg Philipp Telemann, Nun komm der Heiden Heiland, TWV 31:49"
 4 years ago
 
I love that there's organists on this platform now. great work!
Auke Jongbloed  4 years ago
 
[New Release] Telemann's writes some very strict counterpoint in this piece, resulting in some harsh dissonants. The stretto starting in bar 18 starts...
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