by Auke Jongbloed

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Dietrich Buxtehude, In dulci jubilo, BuxWV197 Buxtehude’s prelude on “In dulci jubilo” is a typical example of Buxtehude’s chorale prelude style. The melody is very colourfully embellished and the middle voices are expertly crafted . The bass voice plays parts of the choral melody as well, but always almost unnoticed, as it fits very well in the harmonical structure of the piece. To me that’s one of the most telling indications of the genius of Buxtehude. The recording was done with the Hauptwerk software and the sampleset, made by Voxus, of the Müller organ in the Sint Bavokerk, Haarlem (http://www.voxusorgans.com/en/product/haarlem). Score available here: http://partitura.org/index.php/dietrich-buxtehude-dulci-jubilo-buxwv-197

Dietrich Buxtehude, In dulci jubilo, BuxWV197 by Auke Jongbloed
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Buxtehude’s prelude on “In dulci jubilo” is a typical example of Buxtehude’s chorale prelude style. The melody is very colourfully embellished and the middle voices are expertly crafted . The bass voice plays parts of the choral melody as well, but always almost unnoticed, as it fits very well in the harmonical structure of the piece. To me that’s one of the most telling indications of the genius of Buxtehude. The recording was done with the Hauptwerk software and the sampleset, made by Voxus, of the Müller organ in the Sint Bavokerk, Haarlem (http://www.voxusorgans.com/en/product/haarlem). Score available here: http://partitura.org/index.php/dietrich-buxtehude-dulci-jubilo-buxwv-197
- Auke Jongbloed
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Gökçe Arpat  2 years ago
 
Gökçe Arpat tipped 10 coins on "Dietrich Buxtehude, In dulci jubilo, BuxWV197"
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